Sebastião Salgado

Feet, Brazil

1983

Artist: Geir Jordahl – American (1957- ) Title: Prehistoric Rain Forest, Oregon Year: 1988 Medium: Silver Gelatin photograph using infrared film Sight size: 8 x 19.75 inches. Framed size: 16.25 x 26.25 inches Signature: Signed on the mount Edition: 50. This one: 2/50. (Fewer than 50 were actually printed) Condition: Very good Frame: Framed in original metal frame. Frame in fair condition This photograph depicts a lush area in Oregon with many ferns and trees as well as a painted dinosaur head...

Artist: Geir Jordahl – American (1957- ) Title: Ecumenical Service, Grace Cathedral, San Francisco Year: 1987 Medium: Silver Gelatin photograph Sight size...

Artist: Geir Jordahl – American (1957- ) Title: Waipio Valley, Hawaii Year: 1987 Medium: Silver Gelatin photograph using infrared film Sight size: 8.25 x ...

Artist: Jed Devine American (1944- ) Title: Untitled (Stacked Cups) Date: 1987 Medium: Platinum-palladium print on Japanese rice paper Image size: 9.5 x 7.5 inches (9.25 x 7.25 inches within mat) Sheet size: 12 x 9 inches Framed size: 20.25 x 16.25 inches Signature: signed lower right in pencil Edition: unknown This sublime photograph is by Jed Devine. It is signed in the lower right in pencil. There is a gallery label from the Fraenkel Gallery in San Francisco on the reverse of the framed work. It is framed in a simple metal frame. The photograph, mat and frame are in very good condition. Jed Devine was born in Mount Kisco, New York, in 1944 and raised in Pleasantville, a Westchester County suburb. Devine cites Walter Hahn, his junior high school art teacher, as having an instrumental role in his art career decision: “I don’t know how it happened that a serious artist like Walter Hahn was teaching art at Pleasantville Junior High, but I was most fortunate to have him as a mentor and I’ve always been grateful to him.” In 1967, Jed Devine graduated cum laude from Yale University with a BA in fine arts and began his career as a painter. In 1972, he returned to Yale to study design and photography and was awarded an MFA degree. He joined the Purchase College faculty in 1977. During his tenure at Purchase, several of his students went on to receive recognition as photographers, among them Adam Baer, Gregory Crewdson, Regina DeLuise, Andrea Modica, Deborah Mesa-Pelly, and Roger Newton. Jed Devine’s photography is represented in many major museum, corporate, university, and private collections, including the Metropolitan Museum of Art, New York; Victoria and Albert Museum; London; the International Center of Photography, New York; the San Francisco Museum of Art; the Art Institute of Chicago; the Museum of Fine Arts, Houston; and the Museum of Modern Art, New York. Originally trained as a painter, Devine began taking photographs in 1972 and became fascinated by the effects of light on objects and surfaces, and the sensuality that was possible with the platinum-palladium process. This sensuality is on full display in Devine’s only book, Friendship, a collaboration with the writer Jim Dinsmore, whose 64 images “form an extended sequence that moves from innocence to decay and return. The images emphasize the beauty and primacy of light while capturing the visual drama and irony of the Maine landscape.” Devine also has a long-standing relationship with New York City, which is most evident in his portfolio of panoramic photographs celebrating New York bridges...

Artist: Paul Strand – American (1890-1976) Title: Cristo, Tlacochahuaya, Oaxaca Year: 1933, printed 1967, Da Capo Press, New York Medium: Photogravure hand-printed from the original plates on BFK Rives paper Publisher: Da Capo Press, 1967, New York Sight size: 10 ¼ x 7 7/8 in. (260 x 200 mm) Sheet size: 15 3/4 x 12 3/8 in. (402 x 313 mm) Framed size: 17 x 14 inches Edition:1000 Condition: Excellent This hand-pulled photogravure is from Paul Strand’s Mexican Portfolio, first published in 1933. This photogravure is from the 2nd edition, published in 1967. It is in excellent condition. It is enclosed in a simple metal frame and Plexiglas only for protection. A seminal work by a legendary figure in 20th century American photography, the photographs taken by the author on his travels through Mexico in 1932-33 show architecture, landscape, the indigenous people, and religious folk sculpture. Strand's work first made its appearance as "Photographs of Mexico" in a limited edition of 250 copies in 1940, with the printing of the steel-faced gravure plates by master platemaker Otto Wackernagel being supervised by Strand himself and executed by Charles Furth and the Photogravure and Color Company. The second edition used the original Wackernagel plates, printed by Albert Delong at the Andersen Lamb Company of Brooklyn. Strand was even more pleased with this version, stating "Delong has made these plates sing." The images are a celebration of the subjects' pride, dignity and endurance. Paul Strand (1890–1976) is considered one of the most significant photographers of the 20th century. His breakthrough work in the 1910s heralded photography’s importance as a modern art form. Early in his career he broke from the soft, impressionistic Pictorialist style to produce among the first abstract images made with a camera. His questioning attitude led him to radically change his work multiple times in his career, always with the highest ambitions for the quality of his photographic prints. In 1932, Carlos Chavez, the director of the fine arts department at the Secretariat of Public Education in Mexico, invited Strand to Mexico. At this time, the Mexican government was concerned with demonstrating a national culture that was reflective of a burgeoning, modern, twentieth-century Mexico. In light of this, Chavez invited Strand to document the new social and physical environment. Over the next two years, Strand travelled around Mexico photographing...

Artist: Wolf von dem Bussche American (born Germany) 1934-2014 Title: Washington Square with Trade Center Towers II Year: 1976 Medium: Gelatin Sil...

Rare vintage signed and dated silver gelatin black & white unframed photograph. (printed circa 19730-1981) signed and numbered in ink on recto. Hand developed by or under the personal direction of Micha Bar Am...

Potsdam conference meeting depicting Josef Stalin, Winston Churchill and Harry Truman on the balcony gelatin silver print, matte finish on photograph, artist's stamp verso, approximately 11" x 15-1/2" sheet, date of printing unknown. Provenance: acquired from the estate of photographer Samariy Gurariy. Samariy Gurariy (1916 - 1998) was a Soviet Union photojournalist and photographer. He was born to a Jewish family in Kremenchug Poltavs'ka moving to Moscow in 1921. He began his career in 1934, photographing for the illustration department of the Moscow newspaper Izvestia. He also did work for Pravda, Tass and Gaz. He became the favorite photo correspondent of Stalin and was present and working at many of the most historic events of Stalin's career, such as the Yalta and Potsdam Conferences as well as covering the Soviet-Nazi front during the Second World War. According to writer George Alexander...

Yuri Gagarin Meeting Workers at Foundry Stankolit, depicting the famous Russian cosmonaut (Moscow, 1961) Gelatin silver print, matte finish, date of printing unknown. Provenance: acquired from the estate of photographer Samariy Gurariy. Samariy Gurariy (1916 - 1998) was a Soviet Union photojournalist and photographer. He was born to a Jewish family in Kremenchug Poltavs'ka moving to Moscow in 1921. He began his career in 1934, photographing for the illustration department of the Moscow newspaper Izvestia. He also did work for Pravda, Tass and Gaz. He became the favorite photo correspondent of Stalin and was present and working at many of the most historic events of Stalin's career, such as the Yalta and Potsdam Conferences as well as covering the Soviet-Nazi front during the Second World War. According to writer George Alexander...

Yuri Gagarin Meeting Workers at Foundry Stankolit, depicting the famous Russian cosmonaut (Moscow, 1961) Gelatin silver print, gloss finish, date of printing unknown. Provenance: acquired from the estate of photographer Samariy Gurariy. Samariy Gurariy (1916 - 1998) was a Soviet Union photojournalist and photographer. He was born to a Jewish family in Kremenchug Poltavs'ka moving to Moscow in 1921. He began his career in 1934, photographing for the illustration department of the Moscow newspaper Izvestia. He also did work for Pravda, Tass and Gaz. He became the favorite photo correspondent of Stalin and was present and working at many of the most historic events of Stalin's career, such as the Yalta and Potsdam Conferences as well as covering the Soviet-Nazi front during the Second World War. According to writer George Alexander...

'Gorbals Boys' (1948) by Bert Hardy Limited Edition 44/300 Silver Gelatin Fibre Print Paper size 10 x 12 inches Printed later Two boys in the Gorbals area of Glasgow. The Gorbal...

A series of five photographs by Betty Hahn titled, "Arrival or Departure (After Hitchcock), 1987, a series of five gelatin silver photographs" 17" by 24 each". A copy of the book included "Betty Hahn by Steve Yates. Gelatin silver photographic prints on paper mounted on foam board. Each has a sticker "BHC" with the letter indicating the print sequence "A-E". Following excerpt from the book "Betty Hahn "Photography Or Maybe Not" by Steve Yates, from the essay by Dana Asbury: "Instead of crime fiction and forensic photograph, the first filmic sequences have a moody raking light of film noir in the forties, and she titles Arrival or Departure (After Hitchcock) (plate 117). This series of 5 photographs (1987) shows the back of a man, unidentified, at a deserted train station, in late afternoon light. The rest is ambiguous. Is he coming or going? Is he moving away from him? Is there significance to the first close-up shot of a black duffel bag stuffed under his arm? It was of course Hitchcock's particular genius to explore the ominousness of everyday situations, and to show us that looking to long at anything makes it look suspicious. This series pays homage to Hitchcock's use of the tracking shot that conveys his terrifying message behind "Teddy Bear", that there is serious threat in ordinary objects. This series also fits in with the mood of "Appearance, Ehrlichman Surveillance", and many of the crime series-solitary male figure in an urban setting. There is a tough edge to these works." Unsigned, gallery receipt of purchase copy included with notation on verso . 5 framed images. Each image, 16.5"H x 23.5"L. The following biography is by Fumiko Koizumi at: The Visual Studies Workshop in association with the State University of New York at Brockport Betty Hahn was born Elizabeth Jean Okon on October 11, 1940 in Chicago, Illinois. In 1967, Betty Hahn moved to Rochester to pursue a job at Kodak or Xerox. While in Rochester, she participated in Nathan Lyons's Visual Studies Workshop from 1967 to 1968. Lyons lectured on "vernacular" and "snap shot" photography to workshop students, reinforcing Betty's interest in this "folk" tradition. During her time at the VSW she met Tom Barrow, Roger Mertin, and Alice Wells, and reconnected with Robert Fichter. She was encouraged by how their work was challenging the rules of what was common in fine-print photography. At age 10, her aunt Marcella Brown gave Betty her first camera, a Brownie #2. At this same time the Okon family moved to Indianapolis, Indiana. After graduating from Scecina Memorial Catholic High School in Indianapolis, she entered Indiana University in Bloomington, Indiana. She earned a four-year scholarship and studied fine arts. While she was experimenting with photographic image making her initial artistic experiences involved painting and drawing. She did not take photography seriously as a medium for her artistic expression during her undergraduate work. At age 23, Hahn graduated with a Bachelor of Arts degree and continued at Indiana University for graduate studies in the department of photography. At the suggestion of Henry Holmes Smith...